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CINEMQ19 蓝 BLUE : RECAP 回顾
感谢在上周来到ALL,参加“CINEMQ 19: 蓝”的每一位朋友。在这一期的活动中,我们的短片编排聚焦黑人、有色人种、及非裔人群中的酷儿文化,讲述月光下蓝色孩子们的故事。 Thanks to everyone who came down to ALL last week...
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CINEMQ18 母亲 MOTHER : RECAP 回顾
妈妈呀!感谢在上周来到Elevator,加入“CINEMQ 18: 母亲”活动的每一位朋友。CINEMQ将会在下个月以“蓝”为主题回归,关注黑人酷儿文化、有色人种酷儿文化、以及非洲酷儿文化。“月光下,黑男孩看起来是蓝色的。” Oh mummy! Thanks to...
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Queer, and...
'Who am I, who are we?' Love Queer Cinema Week (formerly Beijing Queer Film Festival) returns this month for its 10th edition with...
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Gay Men Are The Darlings Of Government
Richard Fung is a writer, educator and filmmaker perhaps best know for Looking For My Penis, his seminal paper on representations of gay...
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为什么要做直人电影?
香港影人杨曜恺(Ray Yeung)一向直言不讳。他对自己亚洲酷儿的身份引以为傲;他的作品,时常聚焦跨文化、跨地域的自我认同和酷儿理念,内容机智风趣又不乏深度。在他2015年的电影《封面有男天》 (Front Cover) 里,主人公莱恩 (Ryan),一位美籍华人男同志造型师,
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Why Do You Make Heterosexual Movies?
Hong Kong filmmaker Ray Yeung has a reputation for taking no prisoners. Unapologetically gay and proudly Asian, his work tackles the...
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