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CINEMQ19 蓝 BLUE : RECAP 回顾
感谢在上周来到ALL，参加“CINEMQ 19: 蓝”的每一位朋友。在这一期的活动中，我们的短片编排聚焦黑人、有色人种、及非裔人群中的酷儿文化，讲述月光下蓝色孩子们的故事。 Thanks to everyone who came down to ALL last week...
CINEMQ18 母亲 MOTHER : RECAP 回顾
妈妈呀！感谢在上周来到Elevator，加入“CINEMQ 18: 母亲”活动的每一位朋友。CINEMQ将会在下个月以“蓝”为主题回归，关注黑人酷儿文化、有色人种酷儿文化、以及非洲酷儿文化。“月光下，黑男孩看起来是蓝色的。” Oh mummy! Thanks to...
Queer, and...
'Who am I, who are we?' Love Queer Cinema Week (formerly Beijing Queer Film Festival) returns this month for its 10th edition with...
Gay Men Are The Darlings Of Government
Richard Fung is a writer, educator and filmmaker perhaps best know for Looking For My Penis, his seminal paper on representations of gay...
为什么要做直人电影？
香港影人杨曜恺（Ray Yeung）一向直言不讳。他对自己亚洲酷儿的身份引以为傲；他的作品，时常聚焦跨文化、跨地域的自我认同和酷儿理念，内容机智风趣又不乏深度。在他2015年的电影《封面有男天》 (Front Cover) 里，主人公莱恩 (Ryan)，一位美籍华人男同志造型师，
Why Do You Make Heterosexual Movies?
Hong Kong filmmaker Ray Yeung has a reputation for taking no prisoners. Unapologetically gay and proudly Asian, his work tackles the...
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